Journal of Social and Political
ISSN 2615-3718 (Online)
ISSN 2621-5675 (Print)
Published: 05 February 2020
The Kori Agung Character of Heritage Temples: the Architectural References of Klungkung Identity
Made Wina Satria, I Dewa Gede Agung Diasana Putra
Udayana University, Indonesia
Download Full-Text Pdf
Keywords: Style, Characteristic, Architecture, Ornament
Klungkung had an essential role in the history of Bali; it was the central kingdom in Bali during the 15-19 centuries. As the central kingdom and the role model, Klungkung had a variety of architectural works that were uniquely different from those in other regions. It was necessary to explore the potential and characteristics of its architecture so that it can be used as a reference in creating architectural style in Klungkung. To study this characteristic, this paper analyzed its building forms and ornaments. Kori agungs, the main gate of the Balinese temple, were selected as samples to outline the architectural style. This study used field works to measure the existing buildings, especially buildings that are still original or have undergone reconstruction using appropriate conservation ways.
- Agung, I.A.A.G. (1991). Bali in the 19th century, Yayasan Obor Indonesia, Jakarta
- Amundsen, A.B. (2001). Articulations of identity: A methodological essay and a report on Askim and Tidaholm, NoordXXI Report no. 19. Retrieved from – http -//www. Noordxxi.nl/
- Brubaker, R. & Cooper, F. (2000). ‘Beyond identity’, Theory and Society, vol. 29, no. 1, pp. 1-47.
- Derek & Japha, V. (1991). ‘Identity through detail: an architecture and cultural aspiration in Montagu, South Africa, 1850-1915’, TDSR, vol. II, pp. 17-33.
- Gaudi, S. (1969). Architecture: Volume 1 of Appreciation of the Arts. Michigan: Oxford University Press.
- Geertz, C. (1980). Negara: the theatre state in nineteenth-century Bali, Pricenton University Press, New Jersey.
- Gelebet, I Nyoman dkk, (1981). Arsitektur Tradisioanal Daerah Bali. Denpasar:Departemen Pendidikan Dan Kebudayaan Propinsi Bali.
- Hartanti G., Nediari, A. (2014). Pendokumentasian Aplikasi Ragam Hias Budaya Bali, sebagai Upaya Konservasi Budaya Bangsa Khususnya pada Perancangan Interior: HUMANIORA. vol.5, no.1 pp. 521-540
- Hague, C. (2005). Planning and Place Identity. In C. Hague, & P. Jenkins, Place Identity, Participations and Planning. New York: Routledge.
- Hall, S. (1990). ‘Cultural identity and diaspora’, in J Rutherford (ed), Identity, community, culture difference, Lawrence and Wishart, London, pp. 222-237
- HKU. (2012). Liberal Studies Teaching Kit for Senior Secondary Curriculum: Globalization and Localization of Architecture and Urban Planning. Hong Kong: Faculty of Architecture, the University of Hong Kong.
- Jaya I.G.A. (2013). Ornament 1, Institut Seni Indonesi Denpasar, /2013/10/ ornamen- pepatran-2.html, accessed 17 th January 2020.
- Meyer, F. (1898). Handbook of Ornament. New York: Architectural Book Publishing Company.
- Nordholt, H.S. (1986). Bali: colonial conceptions and political change 1700-1940 from shifting hierarchies to ‘fixed’ order, Erasmus, Rotterdam.
- Proshansky, H.M. et al. (1983). ‘Place identity: physical world socialization of the self’, Journal of Environmental Psychology, vol. 3, pp. 57-83.
- Putra, I. D. G. A. D. (2016). The Tourism Economy and Viability of Traditional Settlements in the Balinese Urban Settings, The 3rd International Conference on Regional Development Enhancing Resilience: Bridging Knowledge and Policy for Cities and Regions, pp. 61-67.
- Putra, I. D. G. A. D., Lozanovska, M., & Fuller, R. (2013). The transformation of the traditional Balinese house for tourist facilities: managing a home-based enterprise and maintaining an architectural identity. Journal of Asia pacific Management and Business Aplication, 2(2), 53-67.
- Sudara, I. G. N. (1983). Ornamen Bali (Kumpulan Ragam Hias), Penerbit: Sekolah menengah Seni Rupa Denpasar: Denpasar Bali.
- Sunaryo, A. (2009). Ornamen Nusantara. Semarang: Dahara prize.