Classical Batik Craft Industry in Imogiri Yogyakarta: Existence and Development in the Perspective of Cultural Resilience
top of page
Asian Institute of Research, Journal Publication, Journal Academics, Education Journal, Asian Institute
Asian Institute of Research, Journal Publication, Journal Academics, Education Journal, Asian Institute

Journal of Social and Political

Sciences

ISSN 2615-3718 (Online)

ISSN 2621-5675 (Print)

asia insitute of research, journal of social and political sciences, jsp, aior, journal publication, humanities journal, social journa
asia insitute of research, journal of social and political sciences, jsp, aior, journal publication, humanities journal, social journa
asia insitute of research, journal of social and political sciences, jsp, aior, journal publication, humanities journal, social journa
asia insitute of research, journal of social and political sciences, jsp, aior, journal publication, humanities journal, social journa
crossref
doi
open access

Published: 29 July 2023

Classical Batik Craft Industry in Imogiri Yogyakarta: Existence and Development in the Perspective of Cultural Resilience

Iswahyudi, Angga Sukma Permana, Arianingsih

Yogyakarta State University

journal of social and political sciences
pdf download

Download Full-Text Pdf

doi

10.31014/aior.1991.06.03.427

Pages: 73- 86

Keywords: Larangan Batik, Yogyakarta Palace, Classic Motifs, Imogiri

Abstract

This writing aims to describe the development of classic batik motifs in Imogiri hand-drawn batik company, Bantul in relation to the theory of cultural resilience. The results of this study are that the community of batik artisans at the Girisari batik company, related to the theory of cultural resilience according to Talcott Parsons, consists of the categories of adaptation, integration, goal-oriented, and latency. Starting from the problem regarding the development of classic batik motifs found in the Imogiri region in general, there is a significant development between events of social change along with the character of batik creation. This change occurred in a spatial and temporal period for quite a long time and there was a factor of dependence on changes in values at the Yogyakarta palace since the reign of Sultan Hamengku Buwana IX until now. In the case of classic batik motifs related to prohibition motifs, this is fully valid for the legitimacy of symbols and at the same time power, but after there was a policy of simplifying all rituals in the palace, changes began to occur towards the problem of democratization in all fields including iconic batik.

References

  1. Aliesyahbana, Dudung (2005), “Development of the 9th Century Pekalongan Batik Industry to the Present”, Prosiding Seminar batik Pekalongan Jejak Telusur dan Pengembangannya. (Proceedings of the Pekalongan Batik Seminar Traces of Tracing and Its Development). Pekalongan, Maret

  2. Angelino, P. De Kat (1930), Rapport Betreffende Eene Gehouden Enquete naar de Arbeidstoestanden in de Batikkerijen op Java en Madoera door den Inspecteur bij het Kantoor van Arbeid (Report Concerning a Survey of Labor Conditions in the Batikeries on Java and Madura by the Inspector at the Office of Labor), Publicatie No. 6. Weltrevreden: Landsdrukkerij

  3. Anonim  (1982), “Batik Tradisional Makin Terpojok. Liberalisasi Untuk Apa” (Traditional Batik Getting Cornered. Liberalization For What), Prisma. Jakarta: LP3ES

  4. Anonim (1982), Tap MPR No. IV/MPR/1978. Jakarta: Lemhamnnas

  5. Bono, Edward, D. (1995),  Menang Dalam Pertarungan Bisnis (Winning In Business Battles) Jakarta: Penerbit Delapratasa

  6. Bourdieu, P. (1986), “The Forms of Capital”,Hand-Book of Theory and Research for the Sociology of Education. John. G. Richardo. New York. Greenword Press

  7. Carey, P.B.R. ed. (1978), Extracts from the Archive of Yogyakarta. London: Oxford University Press

  8. Condronegoro. Mari S. (1995), Busana Adat Kraton Yogyakarta 1877 – 1937: Makna dan Fungsi dalam Berbagai Upacara (Yogyakarta Kraton Traditional Clothing 1877 – 1937: Meaning and Function in Various Ceremonies). Yogyakarta: Yayasan Pustaka Nusatama

  9. Dharsono, Sony Kartika(2007), Budaya Nusantara. Kajian Konsep Mandala dan Konsep Triloka Terhadap Pohon Hayat Pada Batik Klasik (Archipelago Culture. Study of the Mandala Concept and the Three Realms Concept of the Tree of Life in Classical Batik). Bandung: Penerbit Rekayasa Sains

  10. Durkheim, R. (1964), The Division of Labour in Society. New York: The FreePress

  11. Garraghan, G. J (1957), A Guide To Historical Method. New York: Fordham University Press

  12. Hamilton, Peter,  ed.  (1990),  Talcott  Parsons Dan Pemikirannya  :  Sebuah Pengantar (Talcott Parsons And His Thoughts: An Introduction). Translated by Hartono Hadikusumo. Yogyakarta: P T. Tiara Wacana Yogya

  13. Iswahyudi (2020), “The Implementation of the Cultuurstelsel in Java: Cases in Afdeeling Demak and Grobogan, Central Java versus in Afdeeling Pacitan, East Java 1830-1870”. Britain International of Humanities and Social Sciences (BIoHS) Journal Vol. 2, No. 3, October 2020, 657-668

  14. Iswahyudi (2021), “Batik in the Perspective of Recognition  Search : Its Achievements and Presentation”, dalam  Budapest International Research Critics Institute-Journal (BIRCU)-Journal, Vol. 4, No. 3, August:5661-5670.DOI: https://doi.org/10.33258/birci.v4i3.236

  15. Jasper, J.R.  and  Pierngadi (1939), De Inlandsch Kunstnijverheid in Nederland- Indie(Inland arts and crafts in the Netherlands East Indies). Rotterdam: Mounton & Co, The Hague

  16. Juliansyah, Noor (2011), Metode Penelitan Pendidikan (Educational Research Methods). Jakarta: Kencana Prenada Media Group

  17. Kawindrasusanta, Kuswadji (1998), “Mengenal Seni Batik Di Yogyakarta (Get to Know the Art of Batik in Yogyakarta’), in Soedarso, Sp. eds, Seni Lukis batik Indonesia. Dari Batik Klasik Sampai Kontemporer (Indonesian batik painting. From Classical Batik to Contemporary). Yogyakarta: Taman Budaya Yogyakarta

  18. Koperberg, S. (1909), “De Javaansche Batikindustrie (The Javanese Batik Industry)”,Djawa: Tijdschrift van het  Java Instituut, Jaargang no. 2.

  19. Kuhn, Thomas S. (2009), Peran Paradigma Dalam Revolusi Sains (The Role of Paradigm in the Science Revolution). Jakarta: Penerbit Rosdakarya

  20. Kusriyanto, Adi (2012), Batik: Filosofi, Motif & Kegunaan (Batik: Philosophy, Motifs and Uses). Yogyakarta: Penerbit Andi

  21. Mandoyokusumo,  K.R.T.  (1980),  Serat  Raja  Putra (Letter from the King's Son).  Yogyakarta:  Bebadan Museum Karaton Ngayogyakarta Hadiningrat

  22. Moleong, Lexy. J. (2007), Metodologi Penelitian Kualitatif (Qualitative Research Methodology). Bandung: PT. Remaja Rosdakarya

  23. Musman, Astin & Ambar B. Arini (2011), Batik Warisan Adiluhung Nusantara (The glorious heritage of the Archipelago Batik).Yogyakarta : G-Media

  24. Nasution (2003), Metode Research Penelitian Ilmiah (Scientific Research Methods). Jakarta: Bumi Aksara

  25. Nobert, Elias (1983), The Court Society. Translated by Edmund Jeph Catt. England: Basil Blackwell Publisher, Ltd

  26. Parsons, Talcott (1961),Theories of Society. New York . Glencoe: The Free Press

  27. Popkin, S.L. (1979), The Rational Peasant :  The Political Economy of Rural Society in Vietnam. Berkeley: University of California Press

  28. Pujiyanto, “Fenomena desain batik Surakarta dan Yogyakarta (The phenomenon of Surakarta and Yogyakarta batik designs)”. Gelar Jurnal Seni Budaya Vol. 11 No.1Juli 2013, 69-70

  29. Raffles, Thomas Stamford (2008), The History of Java. Yogyakarta: Penerbit Narasi

  30. Rahardjo, Supratikno (2011), Peradaban Jawa Dari Mataram Kuno SampaiMajapahit Akhir (Javanese Civilization From Ancient Mataram to Late Majapahit). Jakarta: Komunitas Bambu

  31. Ricklefs, M C. (1974), Jogjakarta Under Sultan Mangkubumi 1749 – 1792: A History of Division of Java. Lomdon Oxford University Press

  32. Roem, Mohamad et al. (1982),  Tahta Untuk Rakyat: Celah-Celah Kehidupan Sultan Hamengku Buwana IX (Throne for the People: Gaps in the Life of Sultan Hamengku Buwana IX.). Jakarta: Gramedia

  33. Schechner, Richard (1993), “Wayang Kulit in the Colonial Margin”, in Richard Schechner (ed), The Future of Ritual. London, New York: Routledge.

  34. Scott,  J.C (1976),  The Moral of The Peasant: Rebellion ans Subsistence inSoutheast Asia. New Heaven: Yale University Press

  35. Soemardjan, Selo (1986), Perubahan Sosial di Yogyakarta (Social Change in Yogyakarta). Yogyakarta: Gadjah Mada University Press

  36. Spillane, James Joseph (1994), Ekonomi Pariwisata Dan Prospeknya (Tourism Economics And Its Prospects).Yogyakarta : Kanisius

  37. Sugiyono (2013), Metode Penelitian Pendidikan (Educational Research Methods). Bandung: Alfabeta

  38. Suharsono,  Arif (2011),  “Batik  Mbantulan  Eksistensi  Pengembangan  dan Pelestariannya (Batik Mbantulan Existence Development and Preservation)”, in Seminar Batik Yogyakarta: Universitas Negeri Yogyakarta, 18 Mei

  39. Supriono, Primus (2016),  Ensiklopedia Batik (Batik Encyclopedia). Yogyakarta: Penerbit Andi

  40. Susanto, Sewan (1973), Seni Kerajinan Batik Indonesia (Indonesian Batik Arts). Yogyakarta: Balai Penelitian Batik dan Kerajinan. Lembaga Penelitian dan Pendidikan Industri, Departemen Perindustrian R I

  41. Sussanto, Mikke (2012), Diksi Rupa Kumpulan Istilah dan Gerakan Seni Rupa (Fine Diction Collection of Terms and Art Movements). Yogyakarta: Dicti Art lab & Djagat Art House

  42. Turner, J.H (1978),  The Structure of Sociological Theory. Home Wood, III. Dorsey

  43. Van Niel, Robert (1984), Munculnya Elite Modern Indonesia (The Emergence of Indonesian Modern Elite). Jakarta: Pustaka Jaya

  44. Veldhuizen, C. Harmen (1993),  Batik Belanda 1840-1940 (Dutch Batik 1840-1940) Dutch Influence in Batik From Java History and Stories. Jakarta: Gaya Favorit Press

  45. Wahab, Salah (1992), Management Kepariwisataan (Tourism Management). Terj. Frans Gamong. Jakarta: Pradnya Paramita

  46. Wulandari, Ari (2011), Batik Nusantara : Makna Filosofis, Cara Produksi dan Industri Batik (Batik Nusantara: Philosophical Meaning, Method of Production and Batik Industry). Yogyakarta: Penerbit Andi

bottom of page