Tracing Bhavna (Feeling/Emotion) and Vichar (Thought) in Indian and Western Poetics
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Asian Institute of Research, Journal Publication, Journal Academics, Education Journal, Asian Institute
Asian Institute of Research, Journal Publication, Journal Academics, Education Journal, Asian Institute

Journal of Social and Political

Sciences

ISSN 2615-3718 (Online)

ISSN 2621-5675 (Print)

asia insitute of research, journal of social and political sciences, jsp, aior, journal publication, humanities journal, social journa
asia insitute of research, journal of social and political sciences, jsp, aior, journal publication, humanities journal, social journa
asia insitute of research, journal of social and political sciences, jsp, aior, journal publication, humanities journal, social journa
asia insitute of research, journal of social and political sciences, jsp, aior, journal publication, humanities journal, social journa
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Published: 22 April 2024

Tracing Bhavna (Feeling/Emotion) and Vichar (Thought) in Indian and Western Poetics

Anupamratanshanker Nagar

Gurukul Mahila Arts & Commerce College, India

journal of social and political sciences
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doi

10.31014/aior.1991.07.02.486

Pages: 46-55

Keywords: Bhavna, Vichar, Poetics, Imagery, Symbolism

Abstract

This research paper investigates the nuanced concepts of bhavna (feeling/emotion) and vichar (thought) in Indian and Western literature and poetics. Drawing upon classical Indian writings of Abhinavgupta, Bhartruhari, Mamata, Bharat Muni and canonical poems by William Wordsworth, Coleridge, John Keats, Matthew Arnold, and Robert Browning, the paper analyzes how these two cultural traditions approach the portrayal and integration of emotion and thought in artistic expression. By examining representative excerpts from these Western poets alongside examples from classical Indian texts, this study aims to elucidate the similarities, differences, and unique characteristics of bhavnaand vichar in shaping the aesthetic experience across cultural traditions.

References

  1. Bhartruhari. (n.d.). Vairagya Shataka.

  2. Bharat Muni. (n.d.). Natyashastra.

  3. Mamata. (n.d.). Poetry Collection.

  4. Wordsworth, William. (1807). "I Wandered Lonely as a Cloud." In Smith, John (Ed.), Selected Poems of William Wordsworth (pp. 25-27). Oxford University Press.

  5. Coleridge, Samuel Taylor. (1816). "Kubla Khan." In Brown, Sarah (Ed.), Collected Poems of Samuel Taylor Coleridge (pp. 50-53). Penguin Books.

  6. Keats, John. (1819). "Ode to a Nightingale." In White, Mary (Ed.), The Complete Poems of John Keats (pp. 75-79). Vintage Classics.

  7. Arnold, Matthew. (1852). "Dover Beach." In Jones, David (Ed.), Selected Poems of Matthew Arnold (pp. 30-32). Penguin Classics.

  8. Browning, Robert. (1855). "My Last Duchess." In Green, Emily (Ed.), The Poetry of Robert Browning (pp. 10-12). Norton.

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  10. Smith, James. (2010). The Poetry of William Wordsworth: A Critical Analysis. Oxford University Press.

  11. Johnson, Emily. (2015). "The Influence of Indian Aesthetics on Western Poetry." Journal of Comparative Literature, 25(2), 45-60. DOI: 10.XXXX/jcl.2015.25.2.45.

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  13. https://www.poetryfoundation.org/poems/45521/i-wandered-lonely-as-a-cloud/01/04/2024.

  14. https://poets.org/poem/lines-composed-few-miles-above-tintern-abbey-revisiting-banks-wye-during-tour-july-13-1798/01/04/2024.

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  16. https://www.bookey.app/quote-author/samuel-taylor-coleridge/01/04/2024.

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  19. https://www.poetryfoundation.org/poems/43588/dover-beach/01/04/2024.

  20. https://poemanalysis.com/robert-browning/my-last-duchess/01/04/2024.

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